Updates to the DBD Amazon pricing debacle:

Bleeding Cool finds the same error may have afflicted Barnes and Nobel online.  Before you click those affiliate links, though, consider what’s happening on Amazon right now, and the potential of more liabilities being passed on to DBD, or even publishers.  (That is if this is indeed another “glitch,” and not BN recognizing a unique opportunity.)

For some reason, Tucker Stone at Comixology decides to come clean about his past life as a criminal mastermind.

Publishers Weekly cites an anonymous source that the removal of buy buttons from all DBD-distributed books is a temporary measure as Amazon fixes the problem. (Spotted via The Beat)

This has become serious business.  It seems those high-priced Marvels are the main source of the problem (ostensibly because those were the books that Bleeding Cool plugged, and the discounts were the greatest), but an extended delisting may affect all of DBD’s clients.  That includes Dark Horse (Berserk), Digital Manga Publishing (all those yaoi titles), Aurora Publishing (yaoi, women’s manga), Bandai (Code Geass), Dr. Master (King of Fighters), Udon (various Capcom art books), Oni Press (Scott Pilgrim), Graphic-Sha Publishing (How to Draw Manga), Japanime (Manga University series), IDW (Kazuo Umezu), Eros Comix (Mangerotica), Top Shelf (AX), Antarctic Press (Gold Digger), Yaoi Press (Yaoi Hentai)… and that’s just the manga-related companies I can suss out from the DBD website.

Before you milk Amazon for those gift vouchers or tie up their phone lines, please, a plea for sanity… we don’t know how this is going to play out.  Will either Amazon or DBD take complete responsibility, or will the costs be spread out to all the publishers?  If you haven’t noticed, the past year hasn’t exactly been spectacular for everyone.  And for many of them, an extended delisting from Amazon could severely impact their business.  I know everyone likes a deal, and everyone wants to be treated fairly… but, just for now, set all that aside for the sake of all the publishers that may be caught up in this, through no fault of their own.

Edit: Well worth hunting down are comments by Nat Gertler and Torsten Adair on how this will affect publishers.

Edit 2: Spotted via Robot 6, 4thLetter and Comics Alliance weigh in on pricing and “fan entitlement.”  4thLetter’s use of a Walmart analogy is rather apt… this whole ordeal seems like a cyber equivalent of a greeter-stomping mob.

Edit 3: Comics Worth Reading asks whether Amazon may be trying to separate the “good” orders from opportunistic ones.  It would be sensible, and if most orders fall into the latter category, it might throw another wrench into Bleeding Cool’s theory that this sales event is proof of any great under-served comic reading contingent due to pricing.  How many of the orders were actually from retailers looking to restock their shelves?

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Funimation has indicated that it may reverse its position on editing or redacting portions of the BD/DVD editions of Dance in the Vampire Bund, although they remain non-committal on future episodes.  The statement over at ANN seems to point to the initial decision being a legal one… if that’s the case, it was an over-cautious move.  A logical and legally sound decision, for sure, but one which does not reflect the actual risks involved, which is rather minimal.

The irony is that one of the best defenses against an obscenity prosecution is wide distribution, if one could secure it.  Even the most zealous prosecutor would have a hard time going after someone for owning a film that is readily available at the local big box electronics store.  So the question that remains is whether retailers are skittish of handling material like Bund.  Hopefully not.

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Yoshitoshi ABe has a self-published manga on Amazon Kindle!  Professionally translated into English!  (Thanks for the heads up, JRB)

Not many news items, but they are all rather important in one way or another…

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Did Diamond Book Distributors just get “Macmillan-ed” by Amazon?  It appears books represented by DBD are currently not available directly from the largest online retailer of books.  Downtime to fix the glitch, or a sign of tension between the two?  We are already familiar with Amazon’s penchant for being heavy-handed with publishers and distributors with whom it is in dispute, and the book listings do look quite a bit like Macmillan’s did a few weeks back.  Publishers Weekly is leaning towards the latter explanation, and writes that the “resolution” may amount to liabilities upward of “hundreds of thousands of dollars.”

Tech Crunch reports some people have received $25 gift vouchers from Amazon.  The story has also landed on The Consumerist, which is a bad place for a business to be 9 times out of 10.

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Over at Welcome Datacomp, famed designer and mangaka Yoshitoshi ABe shares his thoughts on newly proposed legislation that seeks to ban all sexually suggestive depictions of anyone under 18 from anime and manga.  He notes that even Japanese family staples Doraemon and Sazae-san would run afoul of such a law.

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Anime, live-action film, and manga publisher Media Blasters confirmed with Anime News Network that it reduced staff by approximately 25%.  The circumstances of the decision seem to be temporary, so hopefully the situation changes for the better as we get further into the year.

Big news of the day… Fantagraphics, publisher of such classic, edgy, and revolutionary comics as Love and Rockets, The Complete Peanuts, Bitchy Bitch, and Angry Youth Comics, as well as owner of pioneering imprints Eros Comix and Ignatz, has entered a partnership with Shogakukan, a top-3 manga publisher in Japan, to launch a “full line” of manga.  The line will be overseen by professor Matt Thorn, a key figure in the establishment and appreciation of manga in the West, and translator of titles from such high-profile authors as Rumiko Takahashi and Hayao Miyazaki.  Among the first manga under the new deal (imprint name is still a mystery) will be A Drunken Dream and Other Stories, by one of the founders of modern shoujo manga, Moto Hagio.

While not completely unexpected, this is a truly exciting development.  It seems Fantagraphics will be producing books that physically rival offerings from Drawn and Quarterly and Vertical, based on the dimensions given on the Amazon page, but I would caution against thinking of this imprint as merely an outlet for older or obscure manga.  Fantagraphics’ taste for artistic, compelling, quality comics, and the expertise of Thorn makes for an inspiring combination; Fantagraphics is a risk taker, with faith in art and willingness to see difficult projects through, while Thorn has the knowledge necessary to comb through and make sense of Shogakukan’s immense catalog.  We’ll definitely see more classic, genre-defining manga, but I wouldn’t be surprised if Fantagraphics were able to snatch some huge series, those that have not been released in the West because of the extraordinary amount of care and dedication required.

Think about this for a moment.  What books do Shogakukan own, that Viz isn’t able or is unwilling to release, which might benefit from the experience Fantagraphics has in releasing high-end omnibus collections like The Complete Peanuts and Dennis the Menace?  Hmmm…

Edit: Now that the cat is out of the bag, Matt Thorn confirms the project (which was supposed to be an ANN exclusive… oops!) and reveals the stories collected in Moto Hagio’s A Drunken Dream as well as the next book in the pipeline, Wandering Son by Shimura Takako.  Manga Curmudgeon has a roundup of early reactions, plus news that Moto Hagio herself will be appearing at Comic Con International 2010.  For the love of god, please don’t scare the nice Japanese lady, CCI attendees.

Edit 2: Comics212 notes that Wandering Son is an ongoing series, so this will be new territory for Fantagraphics, whose previous manga publications were of stand-alone books and compilations.  Dirk Deppey reveals the 4-year long genesis of the project, his own role in its realization, and gives assurances that Fantagraphics has a long-term commitment to the licenses it picks up – one wouldn’t expect less, as Fantagraphics has never been the kind of publisher to base their strategy on what gets into the top 300 list every month.  Deppey will serve as consulting editor for the imprint.

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Anime On DVD’s Christopher Beveridge speaks out against Funimation’s censoring of Dance in the Vampire Bund, pointing to other objectionable elements in Funimation’s current catalogue, and adds a call for people to support the uncensored manga version, which I had also suggested earlier.

But what if you were already boycotting Seven Seas for cancelling Kodomo no Jikan?

Oh no! It’s a paradox!  Can’t… decide… what… d-d-do… *head explodes*

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A story about some impossibly great deals on comics at Amazon has awkwardly transformed into a debate about pricing.  I’ve also heard murmurs here and there connecting the incident, which has been confirmed to be an error, with Diamond’s recent dismissal of 3 employees from its DBD division.  Honest human error, confusion caused by the personnel change, or something more nefarious?  Frankly, I haven’t seen any evidence this is connected with Diamond at all, so it might be too early to even consider those as possibilities.

As for whether the huge buyer response to the unintended price reduction, over 90% in some cases, is an indication that comic book prices are too high… eh.  (Since you can’t see me, I’m shrugging my shoulders.)  If Porche started selling its cars at 90% off, we’d see a lot more of them on the road.  And a comic that costs $1 million dollars isn’t over-priced, as long as it can find a buyer.  Maybe two.

Edit: Spotted via The Beat, Publishers Weekly received confirmation from Diamond Book Distributors that the error was a “computer glitch” that affected their books, although whether that glitch occurred on Diamond’s end or Amazon’s remains unclear.  It seems some orders are being honored, so at least one of the two is eating the cost.  Somebody’s going to have a crummy week…

With the exception of The Hurt Locker’s Kathryn Bigelow nabbing Best Director, I was wrong on every one of my Oscar picks.  I’m disappointed Coraline did not win… =(

In honor of Bigelow, I will spend the rest of the afternoon zoning out to a back-to-back screening of Blue Steel and Point Break.  100% pure adrenaline!

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Must read of the day… book designer Craig Mod sees devices like the iPad as the end of the paperback book, and sheds no tears.  Mod feels the content of most books is “formless,” and beyond sentimentality and the gap in usability that is quickly diminishing as hardware improves, there’s no justification for putting formless content in a fixed, print format.  Mod proposes that the only content deserving of print should be that which requires a physical presence to experience properly… the book itself as artifact, as art.

I had touched upon a similar point earlier, about how digital devices change the way comics are defined.  Comics are not formless, but a digital container provides limitless experimental possibilities.  Even now, I think there are many artists who think that print is a crutch, that it prevents the truest expression of their art.  This goes beyond nebulous concepts like form and paneling, to something as simple as color… most comics are colored on computer now, and standard CMYK printing technology simply cannot reproduce the color depth available to video screens.

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Spotted on Anime Vice… Manga Gamer translator “John” talks about working on visual novels, as well as the sales performance of the company’s products thus far.

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Umm… woodpunk?

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Japan Focus has an interview with author Ishikawa Yoshimi about a manga exhibit held at the Nanjing Massacre Memorial Museum in August of 2009.  The article reproduces several of the pieces that were on display.

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A bit of a blow to advocates of free content through ad sales… tech site Ars Technica finds that some people aren’t even willing to look at ads.  (Spotted via Slashdot)

The internet gives away product for free in order to sell a message.  Advertisers give away the message in order to sell the product.  So free product is still dependent on paid-for product.  See the problem here?

Must read of the day… Ogiue Maniax provides a translation of additional passages of Kaoru Kumi’s writings on the cinematic techniques in Hayao Miyazaki’s Nausicaa manga.

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Gizmodo has pics and a movie of Microsoft’s Courier, Redmond’s answer to the Apple iPad.  It looks quite literally like two iPads duct taped together, and it is gorgeous.  But what about wireless and content delivery to match iTunes?  Microsoft may not have done as well on the music front, but it does have transportable experience from running the Xbox Live service.  In fact, there should be interoperability between Courier and Xbox 360 or its next iteration, just like with Zune.  Or it may all be folded into the rumored Microsoft Store.

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Anime On DVD reports that the Funimation release of the anime Dance in the Vampire Bund will be censored.  Central character Mina Tepes, who suffers from a condition known in anime and medical circles as “Sasami’s syndrome,” appears in the nude frequently throughout the anime (not surprising, since author and self-proclaimed “otaku mangaka” Nozomu Tamaki is also a legit ero manga creator, those adult works having been released by Shonen Gahosha, Wani Magazine, and Tatsumi Group.)  These scenes will presumably be the primary targets for excision.

It’s easy to draw a connection between this and the recent Handley case.  But is Funimation itself afraid of running afoul of the law?  Not necessarily.  More likely, financial motivations are involved.  I’m stereotyping, but video retailers generally do not exhibit the same kind of “backbone” of book sellers in regard to controversial content.  And video retailing/distribution has been consolidated to only a few major chains which are terribly sensitive to their “family friendly” reputations.  Should just one of these accounts – Best Buy, for example – object to the content, that could immediately wipe out a DVD/BD release.  Sure, most DVD shops also sell far more horrid torture porn movies, but if you’ve been paying attention at all, you should already know that reason and logic does not come into play in culture wars.

If this were indeed the situation, then boycotting might not achieve the desired effect.

However, the original manga version of Dance in the Vampire Bund is published uncensored in the United States by Seven Seas, and carries a 16+ age recommendation.  (I’ve always had a hard time reconciling this fact with Seven Seas’ cancellation of Kodomo no Jikan.)  If you want to support the property but still send a message to the powers that be, buy the manga instead.

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And because I know this is going to come up again… lolicon manga and anime are not illegal in the US.  Obscene lolicon manga and anime are.  Stop spreading lies, message board warriors.

Such wonderful timing.  Kurt Hassler spoke with ANN about Yen Press’ success with originally developed and licensed titles like Twilight, and how serious a problem scanlation has become for the manga industry, to the point where the publishers simply cannot ignore it.  Hassler also defends the decision to alter the cover to Spice and Wolf; sales of the book seem to vindicate the decision.  Great show.

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Do women mangaka create deeper, more emotionally enriching manga?  Are they thus more qualified to write sexually risque, even sexist, “ecchi” manga?  That’s what the Anime Almanac claims, but Gia Manry at Anime Vice disputes it, pointing out that girls manga contain just as many completely vapid stories as any other genre, should one look hard enough.

Having read and re-read both entries a few more times, I’m not all too certain that the two necessarily contradict each other.  Belief that women draw the best ecchi manga does not require a dismissal of the idea that women are equally capable as men of creating shallow manga devoid of any redeeming value beyond cheesecake (although good cheesecake is one quality I deeply admire).  What is in contention is which parts of the claim should be treated as opinion, or objective fact.  Is it a fact that the most popular risque manga are drawn by women?  No, I think Anime Almanac’s list is rather selective.  Are women mangaka better at handling themes of a controversial, perverse, or sexist nature?  I don’t see any particular reason to think so, and I’m not sure if there’s any way to universally define what is perverse or sexist; there’s a strong cultural component to both.  Is the approach to ecchi manga taken by titles such as Kodomo no Jikan and DearS actually superior, based on the success of those books?  I would caution against accepting popularity as an absolute measure of quality without giving consideration to the disposition of popular taste to be in constant flux. Is the female aesthetic more conducive to ecchi manga visually?  I would share some agreement with Anime Almanac on this point, only because the prevailing style of the day, the obsession with kawaii, is heavily influenced by shoujo manga, and this too is also subject to change.  Even assuming that women are making better ecchi manga than men, is that the result of some innate ability unique to the fairer sex?  I would hesitate to think so.

Anime Vice makes the important point that mangaka are a very professional lot; they are great craftsman (and craftswoman) who are quick to react and adapt to the whims of the manga reading public.  Some might scoff, but this is a learned ability, and a highly valuable one… it is not much different from the acuity of a good comedian to the mood of a crowd, which allows him to select the best joke for the desired response.  This is not the exclusive domain of men or women.  Whether women do in fact make better ecchi manga isn’t all too important to me.  Rather, it’s the parity of women and men in the manga industry that allows creators of either sex to produce work that appeals to either or both sexes, which is actually exceptional in Japan; that there is synthesis of elements that we used to associate with only a specific genre; that neither women nor men need to feel confined to work within socially-dictated genres or constrained in the subjects they choose to explore, that fascinates me most.  Guys needn’t be shy about enjoying romance in their ecchi manga.  Girls can appreciate violence and machismo in their romance manga.

To be free of sexism ironically means that men and women are free to be as “sexist” as they want to be; the absence of all social and cultural boundaries.  Manga is one of the few places that allows it.  It’s all good.

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All About Manga reports that Tokyopop will begin a new promotional push, targeting “cons, local bookstores, and libraries.”  The company is looking for interns to be a part of what I assume is a “street team” in marketing parlance.  Knowledge of video production required.  The positions are not for pay, but it appears a lot of travel will be involved.

So manga publishers have roadies now, eh?  Will there be a lot of sex, drugs, and rock ‘n roll?  Mmm, if only I were 10 years younger…

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Spotted via Slashdot… Reflections of a Newsosaur (who is, according to the blog’s subtitle, a veteran media executive) reports that a group of publishers – including print, news wire services, and even blog networks – will begin a campaign to locate and stamp out copyright infringement on the web.  Instead of relief through courts, the group plans to cut infringing websites off from ad revenue.

You know, ignoring the potential for abuse (and there are always some) and assuming everything works as intended (always a big caveat), this is not that bad a plan.  The worst of the online pirates all have a profit motive.  And frankly, there are too many blogs that just repost news verbatim.  If this program is successful, perhaps it will force more people to rediscover old-fashioned skills such as “putting things into your own words,” “proper attribution,” and “personal interpretation,” elements of writing that everyone should have learned in middle school.  Even I think that would be a far more culturally valuable achievement than getting rid of some aggregate spam blogs.

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Abu Dhabi IT specialist finds his true calling in manga, creates graphic novel about falconry.  What part of that is not thoroughly kick-ass?  Falconry, man.  It’s like Pokemon, but with more rabbit-skewering talons and strips of raw meat.  (Spotted via MangaBlog)

Hiroki Otsuka, of Last Pirotan and The Girls Diary fame, will be drawing live in front of visitors to the Japanese Society of New York’s exhibition, “Graphic Heroes, Magic Monsters: Japanese Prints by Utagawa Kuniyoshi.”  The work he produces during the demonstrations will form the basis of a new manga, publisher unknown.

See what I did there?  I guarantee you, more people know of Hiroki Otsuka from his ero manga than Boys of Summer.  Even in America.  Too bad JSNY and the media chose to completely ignore his early career.  Come on, guys, I thought Alan Moore made porn respectable.  Don’t you know Iowa just locked a guy up because they say porn manga can’t be art?  Throw us a bone here, people.

In any case, Otsuka is among the top in the field, and this is a rare chance to see manga produced live, so visit if you can.

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Missed it… Kurousity reports mangaka Ayano Yamane will be the guest of honor at YaoiCon 2010.  The convention will also be held at a larger hotel this time; perhaps it’s still too early to conclude that the genre has peaked?  At the very least, attendance for this YaoiCon should outpace the last event, which was significantly hampered by swine flu (previous guest of honor Haruka Minami was a no show because of it).

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Apparently, the top 5 most actively edited pages on Wikipedia Japan are either about anime or manga.  I guess the deletionist fervor that plagues the English language Wikipedia hasn’t reached across the Pacific yet.

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Manga Widget echos sentiments that detergent magma-gate is indicative of a larger pattern of fandom entitlement and disregard of law, or even basic decorum and decency.  (Clearly, Manga Widget is also part of The Conspiracy, and pulling a 7-figure salary!)

But the more interesting contention in the piece is that Radical probably can, and ought to, sue Nick Simmons for breach of contract.  If Radical does ultimately make the right choice and withhold the Incarnate TPB from sale (even though it’s already printed in all likelihood), then Simmons does have more cause to worry about Radical than Viz.  Radical will have an easier time than Viz at showing actual damages directly related to Simmons’ transgression.  Even if Radical does release the book, and it sells poorly because of the controversy, Radical would still have grounds for a case, and real financial incentives to see it through.  This story may get a second wind a few months from now.

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Not manga related, just amusing… the bankrupt Japan Airlines (JAL) is trying hard to keep its highly sought-after stewardess uniforms out of sex clubs that cater to costume fetishists.  I don’t know about that.  If I were in charge of liquidating JAL, I’d sell the uniforms directly to those clubs, or auction them online at outrageous prices.  JAL couldn’t possibly still be worried about their pride at this point, could they?

You know, if JAL and ANA were to have a merger, the new company could actually be called All Nippon Air Lines…

Is there a conspiracy by manga publishers to use bloggers and reviewers to campaign against scanlations/piracy?  The exchange can be read at Melinda Beasi’s Twitter, for the time being.

I don’t know about the other publishers.  But every time I write about the subject, Mr. Randall Fitzgerald emerges from his murky pirate’s lair to troll and mock me.  Obviously, I have not had the privilege to be part of a conspiracy.

That’s not to say there isn’t one.  Maybe I’m just not one of the cool kids. =(

Edit: Not only is the conspiracy real, but they are making 7-figure salaries.  That’s it, I’m quitting ero manga.

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Speaking of scanlations, a guest editorial at Anime Vice argues that scanlations are sometimes necessary for fans to enjoy a manga that is heavily altered by the licensee publisher.   That’s a good argument… for not buying the manga (which is a perfectly legit way to send publishers a message… stop screwing with the material!)  But it is not an argument for scanlations.  In what way is free access to entertainment a necessary, fundamental right?  And even if you believe there is such a right, how should that be weighed against the right of the copyright holder to make a living from his work in the way he sees fit, as guaranteed by law?  Why should anyone’s misplaced sense of entitlement, potentially endanger the creator’s livelihood, or prevent him from maximizing profitability?

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Anime Almanac observes that a lot of the more risque, sexist, and controversial mainstream manga are actually drawn by women artists.  I’m not so sure I buy into the theory behind it, but I’m also too cowardly to offer up one of my own.  But I will point out that, while by no means anywhere near majority, there is nevertheless a surprising number of women drawing ero manga for men.  Some are considered to be in the upper echelon of the field.  And this might come as a shock, but the current look of anime and manga in general, and the fascination with cuteness, owe a lot to shoujo manga.  One could even say that the rise of lolicon manga is partially fueled by the number of female artists, or artists influenced by shoujo manga, entering the genre.  Remember when practically every porn doujinshi looked like Card Captor Sakura?

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(Spotted via MangaBlog, which happens to be celebrating its 5th anniversary)… Manga Life’s Alethea and Athena Nibley write about the multitude of choices they faced when translating the term shinso in Negima.

“Evangeline of the True Bloodline.”  Good, no?

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Shaenon Garrity claims that one of the differences between how fan work is treated by Japanese and American comic industries lies in the burden US law places upon copyright holders to pursue relief; copyright infringement cases are generally brought by copyright holders and tried in civil court.  In Japan, it seems, copyright holders simply bring up the infringement with authorities.  I’m assuming that’s what Garrity meant, anyway… and I also can’t imagine how that doesn’t still benefit the larger companies, who would definitely have more clout with police and prosecutors.  But I don’t know how it works over there.

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ANN has a small update on the status of the Ghost in the Shell movie: the first draft will be ready for Dreamworks in a couple of weeks.  Screenwriter Laeta Kalogridis hinted that the movie may have a tougher go at the approval process, since it has a female lead.

Oh, when will Hollywood learn.  Audiences don’t have a problem with female leads in action movies.  Catwoman just sucked, period.

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