May 2010

You are currently browsing the monthly archive for May 2010.

Funny thing, it seems anytime there is a major development at an anime or manga company, or just a rumor regardless of veracity, Right Stuf has a sale.  I mean, that’s just savvy, but given the kind of news coming out of the industry lately, also a bit macabre.  Heck, it makes me nervous to see our name on their weekly newsletter, heh…

Oh, BTW, AoD reports that Navarre is looking to divest itself of FUNimation, possibly because Navarre isn’t interested in co-production deals that FUNi is keen on right now, which ostensibly would grant the anime publisher more options, particularly in online distribution and broadcasting arenas, and the ability to direct funding to more “internationally viable” projects.  ANN has an interview with FUNi founder Gen Fukanaga.

Edit: Robert’s Anime Corner Store weighs in, gives self mild concussion.  Everyone’s been doing that lately.

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If manga were really a fad and fewer people were reading, or manga quality had gone down, would a pirate site get a billion page views per month?

Come on now, everyone has to admit this is a real problem.

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Speaking of which, the US Department of Justice has officially filed copyright infringement charges against Gregory Hart, the guy who ran Htmlcomics (and apparently, another site which pirated scans from Playboy and Maxim.)  You know what this means… jail time will likely be involved, and this is pretty much an open and shut case.  No innocent infringement claim.  No muddiness over IP addresses.  Any haggling over estimated damages may have little relevance.  And whatever happens in this trial, assuming Hart doesn’t finally get one iota of sense and plead guilty immediately, would be closely scrutinized by manga publishers and could have profound effects on the scanlation scene.  No matter how the trial proceeds, scanlations will not go away.  However, it may change how scanlations are transmitted, specifically for profit-driven aggregator sites.

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Welcome Datacomp has a lengthy translation of the Japanese government-funded animation training program from a few weeks ago.  Note the “direct” and “indirect” objectives… education is the top priority, but the program also hopes to encourage greater respect for contract laws.

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Is anyone brave enough to stand up to Apple about censorship?  Surprisingly, it may be the Germans

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Publishers Weekly has an interview with Hiroki Otsuka, who shares some thoughts on working with editors, his career in ero manga, and teaching children about drawing.  Yeah, not things I ever thought I would write in the same sentence.

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Missed it… Brigid Alverson has a rather detailed response to Rich Johnson’s missive on what wrong with the manga industry, mainly problems which publishers have been making adjustments to for the past 2~3 years, as I see it.

To add to that, I think Johnson’s suggestions are all good, necessary components for the long-term health of manga, but they just have very little bearing on the immediate climate that prompted his editorial.  If we take stock of what’s happening to media all around the world, then clearly variety and quality are not the main issues.

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Just in case you haven’t come across it yet… Prism Comics’ Charles Christensen has an editorial on Apple’s restrictive and inconsistent content review policies.

Let’s just get to the point: Apple wants the iPad to be a handheld game console, not a handheld computer.  Unless publishers collectively throw their weight behind another platform, Apple is going to get away with it.

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Yet Another Comics Blog writes that the decision to drop CMX was based purely on the label not fitting in with the parent company’s renewed focus on a multimedia approach (obvious), and sees this as a harbinger of doom for other imprints (not-so-obvious). (Spotted via Journalista)

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Random thought… Passion Pit and Garbage fit so well with the Hey Arnold sequel that’s playing… in my head.

Oh yeah, buy the DVDs.

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At The Beat, Yen Press co-founder Rich Johnson pens an essay rather critical of the US manga industry (in particular Tokyopop’s marketing, for some reason), while Rocket Bomber reminds us that over the decade, manga is still way up.  We need that reality check.  Manga is still an important category, and setbacks at bookstores should be seen as an opportunity rather than an excuse to drop it.  Same too with publishers.

I am somewhat worried by more calls for adult manga in response to this bust cycle, however (ironic, I know).  It’s not that I wouldn’t like to see more varieties of mature manga being published in the states, but I just don’t see any evidence the lack thereof was the cause behind the layoff at Viz or the various publisher closures, nor would adult manga have inoculated them from these industry contractions (I would also say that manga piracy is several orders of magnitude greater than comic piracy.  Would Marvel allow any of the dozens of major aggregator scan sites that manga contends with to operate unmolested?).  There are already adult manga-focused publishers, they make it work with different overheads and different sales expectations.  Mainstream manga needn’t go after more adult readers if it were to come at the expense of kids… that’s the core audience.   Sure, manga readers grow up, but it’s not like we’re only working with one generation here.  Contrary to popular perception, grown-up fans do occasionally get together and breed.  The focus should instead be on getting their offspring, and everyone else’s, to read manga, and there’s a good blueprint already established for that (anime on afternoon TV, cheap games and merchandise conducive to social activity, hopefully the manga schedule would retain a slight lead over the show).  I’d hate to see mainstream manga follow in the footsteps of mainstream American comics, just to chase down some lapsed readers (and I sure as heck don’t want to read about “manga decadence” on Journalista 20 years from now).  You mustn’t be afraid to let go sometimes.

Teens, on the other hand, might be the segment to see a drop in investment.  You know, with the whole online culture being what it is and all…

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Fleen has a short and sweet interview with Jess Fink on the always-relevant issue of art plagiarism.  Imitation may be flattery, but is plagiarism flattering?  For Fink, that’s an unequivocal “no.” (Via Robot 6)

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Borders: people are still throwing money at it.

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His Holy Noodlyness is magnanimous and accepting of our lifestyle.  Ramen.

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Off-topic… Why did Mark Twain withhold publication of his autobiography for a century?  Because he knew his ideas were a hundred years ahead of his time… and we’d need them now more than ever.

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Attention Viz, TP, Yen, and/or Del Rey… send this family some manga.

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Onii-chan no Ecchi reviews Cheerful Eros Project, at great risk to neighborhood civility.

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Missed it… Erica Friedman writes about scanlations and lays down this challenge:

You want to publish this manga? Then license it. Then everyone gets what they need and want. You will get to translate, publish and distribute a title you love to people who want it and the mangaka gets paid for her work.

That’s as simple as it gets.  I would extend this challenge to those who argue for free online distribution as a business model… you make it happen.  And I don’t intend this to be flippant or sarcastic at all.  If you could make it work, pay hundreds of artists a living wage, subsidize artist development, allow for all genres mainstream or esoteric to flourish, you could save manga.  Not just the industry, but the artform.  Forget licensing, go directly to the artists and have them create work exclusively for you.  Then you wouldn’t have to deal with competing interests that have print publishers in a bind.

Don’t have money?  Find it, borrow it, earn it, save it.  That’s what all the other manga publishers did to get started.

(Caught it… MangaBlog)

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Sankaku Complex translates a page from the ero manga magazine Comic LO (warning: image may be considered illegal in your local jurisdiction!) that asks its fans to stop scanning manga. In addition to concerns over lost sales, the plea also cites the added pressures of the international attention being drawn to lolicon manga via scanlations.  Unlike Shueisha’s open letter, Comic LO does not threaten legal action.

Hyperbolic/facetious language aside, I want to note that publisher Akaneshinsha is not xenophobic… they are, after all, one of the few ero manga publishers actually willing to license books to the West (namely, us.)

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I knew it!  Namco game creator Tohru Iwatani admits the design of the ghosts in the seminal Pac-Man was based on Q-Taro.

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Wow, CMX may technically continue publishing until July 1st, but the website?  Already gone.

That’s cold.

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Newhalfs get some love on AnmeOnDVD as Kelly Edgecomb reviews Read Me!.

I think there is a disconnect between sales of Read Me, and the popularity of futanari on the internet.  Perhaps futanari lovers still aren’t ready to be public about it.  Then again, if the net was in any way indicative of market potential, then our books would be outselling everything.

Maybe you all just have the scanlation already.  You jerks. =(

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ANN has transcribed a survey by Tokyo Polytechnic University on what the Japanese public thought best epitomizes “Japan Cool.”  Anime and manga handily trumped music, fashion, even video games, and were among the top five picks for all age brackets.

The survey also asked respondents which anime and manga properties should represent Japan to the international public.  Pardon me, but their choices only serve to prove that the average Japanese would run a US manga and anime company into the ground.

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The last of the last CMX links of note…

Perhaps what CMX was really missing, was a charismatic evangelist.  Someone around whom CMX could build a cult of personality.  Would TenTen literalists have held onto their grudge if CMX’s public face had been, say, Carl Horn?  (I don’t see people boycotting Dark Horse for NaruTaru.)  And making editors into celebrities is actually something the traditional comic industry does very, very well.

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Jason Thompson profiles Ippongi Bang, simultaneously getting into the sordid histories of some of the earliest US manga publishers.  Juicy.

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A Taiwanese writer was held by (Mainland) Chinese police at the World Expo in Shanghai for 40 minutes because he wore a shirt emblazoned with the words “Otaku Rebellion Army.” Cannot make this stuff up.

Also, I want that shirt.

Edit: Via ANN, the blog of the detainee in question, plus photos of the shirt.

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Spotted via Journalista… the Korean domestic manhwa industry is “on the brink of collapse,” and fingers are being pointed at online piracy.  This has lead some to abandon print altogether in favor of webtoons, as they apparently call them in Korea.

Wasn’t the manhwa industry supposed to be an early adopter of online comics sales?  Is it mere coincidence that print comics everywhere seem to be crashing?  Does my constant stream of rhetorical questions annoy you?

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The last of the CMX reactions, for now:

Now that a full 24 hours has passed and the initial shock has tempered, perhaps we will see more even-handed evaluations of DC.  No less negative, I’m sure, but there are more angles to the story.

-DC did give CMX 6 years, which is longer than the typical DC imprint.  CMX outlasted Minx (ha-hah!).  And DC did give us 1 1/2 months of advance notice, unlike some other publishers.

-What is the current status of DC’s partnership with Flex Comics in Japan?  Honestly, I’m not sure if the relationship meant anything for readers here, but I’m also assuming Flex did things with DC properties in Japan that we don’t know about.

-Some would say that even if CMX had been a money loser (and we don’t know that for sure), DC’s parent has enough money to keep the imprint alive as R&D.  That’s true, but because CMX is a manga licensee, it doesn’t own any properties that could be freely exploited in other media like games or television or movies.  On the other hand, CMX obviously held a lot of appeal for female readers, a demographic DC has had trouble reaching.  How would you put a valuation on that?  Is it shortsighted to think of it this way?

-I’ve always thought that some of the Cartoon Network characters could benefit from cheap trade paperbacks, so they would have been a good fit under the CMX label.  There’s definitely some audience overlap.  Do you know how many Ed, Edd, and Eddy shippers are on the internet?  (Answer: too many.)  Oh, so many missed opportunities.

-You know, I just realized we’re only assuming CMX would close on July 1st.  Perhaps with all the fuss this has raised on the internet, we may see orders for Emma jump 1000%.  DC may still reconsider this… there’s time, people.

Edit: Christopher Butcher at Comics212.

… ouch.

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Publishers Weekly reports that Barnes and Noble will begin a digital publishing service called PubIt.  Amazon Kindle’s open publishing philosophy has been one of its greatest assets against the Nook, so it’s nice to see BN finally address this shortcoming for its platform.

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DMP and Yaoi-Con will host BL mangaka Hinako Takanaga.  This is in addition to Ayano Yamane.

That’s an impressive guest list.  Probably the most impressive.  I’m going to come out and say it: I’m not one of those who are greatly interested in meeting voice actors or j-pop musicians or business people, even though I absolutely respect their work.  A creator-centric convention would be very appealing to me, but given the state of the industry…

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The Latino Review claims that director Tim Burton will direct an adaptation of Mai the Psychic Girl, one of the earliest manga trade paperback releases ever in the US from Viz.

Let’s hope this is the Tim Burton who directed Edward Scissorhands, Ed Wood, and Big Fish (love this guy), and not the Tim Burton who directed Planet of the Apes, Charlie and the Chocolate Factory, and Alice (hate this guy.)

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Awesome: a student essay/comic hybrid (perhaps illuminated is the word?) chronicling her experiences with fan culture in Japan.  (Spotted via Comics Worth Reading)

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Jason Thompson takes a look at Yoshitoshi ABe’s manga for iPhone.  ABe is perhaps the most high-profile mangaka to have warmed up to publishing on e-readers like the iPad and Kindle, but digital doujinshi is far from a new phenomenon.  Sites like DLSite.com, Digiket.com, Papy.co.jp, and Toranoana.jp are quite popular, and their offerings generally work on any system that can support PDF.

Actually, recent articles claiming that Japanese manga hasn’t embraced e-books provide only a partial picture…

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Shocking… Publishers Weekly reports that DC manga imprint CMX will stop publishing new titles after July 1st.  Full shutdown will probably follow shortly thereafter. My condolences to the staff at CMX, who did a lot with very little, and consistently churned out top-quality releases.

Other reports, early reactions, mostly dismay, and some tongue lashings directed at DC (in ascending magnitude of F-bombs dropped):

This will take some time to digest, but a few initial thoughts of my own… a couple of common threads in almost all of the posts regard the censorship of Tenjo Tenge, and the lack of marketing support DC gave to the imprint.  They certainly didn’t help, but my gut feeling is that the fallout from these two things is being overstated.  Rather, I’m concerned with the viability of the mainstream manga model itself.  Without a doubt, the $10 trade paperback as popularized by Tokyopop and Viz, and adopted by almost every other manga publisher, is most responsible for the rise of the manga category in bookstores.  The low price point moved manga from boutique publishing towards mainstream publishing, like movies, music, and manga in Japan, which works on the following principle… there are always far more movies, music, and books that are unprofitable, but profits from the handful of big winners subsidize the legion of piddling losers.  (This is why ticket sales of Avatar or the latest One Piece volume in Japan are misleading indicators of the overall health of their respective industry.)  This system of relying on a few properties may not work for mid-list publishers like CMX, Go Comi, Infinity Studios, Aurora, et al… they don’t have one mega-hit, a Naruto or a Love Hina, to sustain them, especially when the economy and devaluation of media by piracy (I don’t mean scanlations per se, but the effect of general piracy of practically every form of art) have all but broken traditional PED models.

To put it simply… is the $10 manga under-priced?  This might seem an absurd question when everyone is clamoring for even cheaper digital comics, but unless one is able to compete with the likes of Viz on major licenses, it seems to me the only other option is to operate as a specialty publisher (such as ourselves) where a greater emphasis is placed on books that are self-sustaining.  The $10 price point offers very little wiggle room, and there’s no sense in going after price-sensitive readers when free entertainment options abound online.

The biggest absurdity of all is that amid all the troubles for the industry, there are more manga readers than ever.

Edit: Forgot to add this link the first time around… writing for PW, Ms. Alverson also spoke with several industry insiders and watchers about Viz’s layoff.  My personal view aligns best with that of Ed Chavez… VizAnime and SigIkki have launched, Shojo Beat is over, no big anime licenses seem to be in the pipeline, and few other books are likely to get the Naruto Nation treatment.  Is it possible that the layoff won’t affect Viz’s schedule as much as people seem to think?  Maybe…

The Comics Reporter reminds us of CMX’s unfulfilled promise: bridging a widening gap between the Direct Market and manga readers who went to bookstores in droves, backed by DC’s expertise.  Didn’t happen.

Edit 2: School Library Journal (is it kosher for me to link them?) has a nice roundtable on what DC did, or failed to do, for its manga imprint.

Edit 3: Rocket Bomber weighs in.

You know, I don’t recall any other event to have elicited so much blasphemous language from the collective manga blogosphere as CMX’s demise.  Personally, I’m one who does little swearing in public or unfamiliar company, because I cherish the act.  I want my curses not to be regarded as common vulgarity, but as sincere and succinct expressions of rage and disgust.  I think that is true of most of these posters above as well.  Perhaps this is one of those situations that warrants it.

Oh, what the hell.  Fuck.

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Apparently someone is going around suggesting that child porn complaints be directed to sponsors of scanlation sites in order to cut off the sites’ revenue and shut them down, thereby “save” the industry.  If you don’t intrinsically understand why this tactic is wrong (or that when I facetiously suggested something similar in this post, I was making a cynical observation to critique Google’s policies), then you should definitely head on over to Manga Curmudgeon post haste.

Mr. Welsh highlights an additional dilemma: why shouldn’t advertisers and web searches take obvious copyright infringement as seriously as questionable images of non-existent people of unverifiable age?  We already know why they don’t; there are no direct consequences, either legal or in public perception.  We should work to change that second part.

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Valleywag writer Ryan Tate shares an email exchange he had with Steve Jobs, in which the Apple ruler described the iPad “revolution” as offering “freedom from porn.”

Let’s forget the fact that Apple isn’t just censoring porn on the iPad.  Claiming to protect children from porn by restricting programs and content on a device with an internet browser is kinda, sorta, blatantly disingenuous, isn’t it?  He might as well be upfront about it and say that Apple wants all the benefits, but none of the risks.

By closing official channels off to legit companies, only unscrupulous people who circumvent the regulations will stand to profit – for example, pirates who make Apps that are simply RSS feeds, so the content could become drastically different after the approval process.

BTW, which do you think is the more plausible scenario?  Scan aggregators censoring their own sites to play nice with publishers or out of some other altruistic concern, or simply to appease Google or their advertisers, and make sure their 99-cent apps won’t be rejected by Apple?

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Even a site like Wikipedia isn’t immune from this sort of trolling, btw.

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Spotted via The Beatmanga remains popular for kids at a Queens, NY library, but is being threatened by budget cuts.

So umm… any other manga publisher wanting to fade into the night, this might be a good way to lighten your inventory before you implode…

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Ooooh… that was fun.  9_9

So, the WordPress installations on Icaruscomics.com were hacked on 5/17.  Thanks to everyone who sent me emails about the site.  We caught it in early morning and took it down on same day, so hopefully it didn’t cause any damage to users.

There was actually a wave of WordPress hacks affecting certain hosts, and we were likely caught up in it.  The problem seems not to be any particular flaw in the WordPress installation, but security issues at the hosts.  So rather than waiting for the host to fix this, we decided more drastic action was warranted.  The WordPress installation directory was wiped.  Posts and comments were recovered from the database, but all users were deleted.  Things might look slightly different here and there.  We can only hope our host is more vigilant now, but if you suspect something weird happening on this site, please let me know at simon (at) icaruscomics.com.

Back to blogging.  It seems a lot has happened in these last couple of days…

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This morning, it was discovered that this blog was hacked sometime between 5/16~5/17.  It appears to be some kind of injection attack… I don’t actually know what that means, but I’ve been told that’s what happened.  Google detected one compromised javascript file, and I’ve replaced it.  The hack created an iframe that pointed to a php file at hingham-ma.gov – the official site of Hingham, Massachusetts (looks lovely, btw.).  The php file itself no longer exists, and based on some googling it had infected some other sites this month.  I’d recommend running your usual antivirus/rootkit programs if you’ve visited during this time period.  Also, look for cookies from the higham-ma.gov domain and delete them.

Apologies for the problem, and some time away from posting until I can be sure the hack has been thoroughly eradicated.

Edit: The culprit is some kind of webshell, and infected pages attempted to download the Clagent B Trojan.  We are in the process of reinstalling WordPress.  This appears to have been part of a larger exploit affecting our hosting provider.

Edit 2: Testing new WordPress installation.

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Spotted via The Comics Reporter… the CBLDF seems cautious about the nomination of Elena Kagan to the Supreme Court.  Apparently, someone who’s probably not going to expand the definition of obscenity is the best we can hope for at this time.

Justice John Paul Stevens, whom Kagan would replace if her nomination is confirmed, is on the liberal side of the bench despite being a Republican appointee of President Richard Nixon.  Stevens has been almost consistently pro-Free Speech, most notably in his opposition to “community standards” in COPA, of which he famously observed it would restrict the world wide web to the moral laws of the most puritan village.

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According to this PW post, reports on the closure of Viz’s New York office may have been premature.

Meanwhile, the Beat has additional musings, and the names of some of those who were unfortunately let go.  It is said that significant cuts were made to the marketing division.

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Yikes.  4Kids may be delisted from the New York Stock Exchange in as little as 10 days.  The company responsible for anime programming on channels like CW and Fox has had problems since 2007, when it decided to abandon anime licensing in favor of developing original cartoons with merchandise tie-ins.  Chaotix, which was to be its flagship property, proved to be a flop, and the company began licensing more anime this year, most notably Dragon Ball Z Kai.

Now, 4Kids isn’t well-loved in the fandom, and that’s not without good reason.  They censor shows quite heavily, and CEO Al Kahn has made disparaging remarks about anime and manga… nobody likes that kind of hubris.  That said, getting anime out into the mainstream and onto afternoon television is a big task, and they’re one of the few capable of doing it.  It’s so crucial to the success of manga, that there’s little schadenfreude to be enjoyed here.  So hopefully, 4Kids will have a chance to right its ship.

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The latest video on Kodansha’s Youtube channel: a “nude” photoshoot for Young Magazine.  You know you want to see this.

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The latest Tilting at Windmills column makes the point that piracy doesn’t necessarily reflect true demand.  So why do people hoard all this stuff that they may never read/watch/listen?  Well, for one thing, it could be used as virtual currency, to trade for something that they do want…

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