Odds and ends

I think this post at MangaCast on Infinity Studios’ plan to ship ebooks on some kind of physical media, rather than being downloadable as just about everyone had initially assumed, probably reflects a majority opinion.  It’s difficult to see the advantages of ebooks on physical media, which provides no more protection against piracy than downloads.  However, the storage capacity of even a CD does allow Infinity latitude to make high-quality, or even print-quality ebooks (not that they necessarily would, mind you), and there are probably still many on dial-up who would prefer buying a CD over spending anguished nights trying to re-establish a broken download.

Still, the one major factor in this decision that I’m hedging my money on is the reluctance of their licensors to fully allow digital downloads… and this applies not just to Infinity, but practically all manga licensees.

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This essay from a high school sophomore Korean student touches very briefly on cultural tensions few westerners experience… Korean manga and anime fans are sometimes viewed as “traitorous”, due to the difficult wartime past between the two nations, in spite of the prosperous relationship the two have had in more recent times, and wide mutual appreciation of each other’s pop culture offerings.

In some ways, these same memories of past aggressions are what drives the Chinese government to tighten reigns over import animation and video games, although the communist regime have always exercised draconian controls over anything that doesn’t strictly fit their doctrine. 

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This has the makings of an international incident not seen since the Beatles visited the Land of the Rising Sun in ’66.

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ADV VP of Sales Mike Bailiff spends half dozen paragraphs worth of time with ANN to say almost nothing about the licensing hiccups they had at the beginning of the year (amid various reports of an anime bust, and Geneon’s exit from the business still fresh on the minds of fans - a most unfortunate bit of timing).  But that’s no one’s business but theirs, really… all consumers need to know is that many of the affected titles have been re-scheduled, and the company plans to make new acquisition announcements soon.

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From a Reuters article on the female otaku movement:

But recently, businesses have discovered another type of free-spending Japanese consumer: the female otaku, who tends to be better-looking, trendier, and more sociable than her male counterpart.

Read the rest.  You know you want to.

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  1. …the reluctance of their licensors to fully allow digital downloads€¦

    I brought up that point at the ICv2 panel that took place before the New York Anime Fest. No one really answered my question. The Viz rep basically said their parent companies have their own digital distribution programs they need to figure out and that distribution formats (PC, cell, random eReader) were also being discussed. A DC rep said they had bought a kindle but couldn’t say anything else.

    Shogakukan is a major investor in the Japan eBook Initiative. Kodansha has their moura program the first tanks from that eManga only imprint are just coming out. At least one ero pub distributes their books through DMM (and they use either PDF, flash, XMDF…depending on the publisher’s requests). Yahoo Comics also have a number of titles (looks at the entire FLEX Comics library). So it isn’t that there aren’t pubs using it in Japan. There seems to be a fear when it comes to foreign markets (to a point)

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  2. Sure, Japanese publishers digitally distribute a lot of books… I just meant they don’t want their western licensees to do it.

    And honestly, I don’t think it’s always because of an awkward extension of reverse importation fears, but rather because they actually can’t, or don’t know how to go about it. Similar to the problems raised in the Hollywood writers strike, it’s likely that internet distro/licensing terms have yet to be fully ironed out between publishers and creators in Japan. And with the ebook market still in an embryonic (stillborn?) state, there is little immediacy to do so from their point of view.

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  3. Also, I think eBooks will catch on, so stillborn is a bit much, but I don’t think it’s going to be for another little while yet. YOU KNOWS?! And as ugly as it might be, I think Kindle has really sort of been responsible for the track eBooks are on in the US.

    Oh, and I loved Please Miss Yuri. 5 stars! *standing ovation* I put up a review just in time for it to hit stores, over on OCnE. Hope it helps out sales and so on. Haha.

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  4. Thanks for the review. =)

    Yeah, stillborn is a bit harsh, I suppose. It’s really the failure of ebook hardware manufacturers to penetrate the U.S. market in the past few years, not so much the concept itself. Kindle is promising (out-of-the-box wifi is awesome), but it’s not the breakthrough we’re looking for…yet. Maybe 2, 3 more hardware generations, a sub-$100 price tag, and wider support for open standards. Then they’d be getting somewhere…

    Reply