Fanta manga print runs between 6~8K | Vampire abstinence parable dominates online sales charts

Spotted via MangaBlog… Sean Gaffney has an insightful post on why classic, fan favorite manga such as Kimagure Orange Road have a hard time getting licensed.  The problems aren’t always commercial.

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I love the Twilight manga, if for nothing else than being prime fodder for trolling various comic and manga boards.  Fellas, you don’t have to like it, but think of the amount of money Yen Press will be raking in… money that will go towards more manga licenses.

That said, this USA Today article does point out the potential pitfalls of making a new visual adaptation of the teeny vampire romance , when the fan base has already embraced the big-screen versions of lead characters Edward and Bella.  Author Stephanie Meyer has mentioned in various interviews that the graphic novel more accurately interprets her vision for the characters than the movies.

As of this writing, Twilight is number 14 on Amazon’s bestselling books list (#1 in the graphic novel sub-category), and has a front-page listing on Barnes and Noble, where it’s #9 overall.  Where is your god now, /co?

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Publishers Weekly covers Fantagraphics manga line, and includes one tidbit I have not seen elsewhere… the publisher expects the books to have print runs in the 6000~8000 range.

Also at PW, several comic retailers speak about the past year’s performance.  In particular, Andrew Neal of Chapel Hill comics mentioned that the median age of  manga buyers seem to be rising into the 30s, as younger readers have been siphoned off by online scanlations.  Fantagraphics waiting 4 years to launch its literary manga line doesn’t seem so stupid now, does it?

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Kitano “Beat” Takeshi, the comedian-artist-poet-actor-tv host who enthralled us by punching Omar Epps in the gonads in Brother, eviscerated samurai in Zatoichi, and turned on American tv viewers to the sadistic joys of Japanese game shows with Takeshi’s Castle/MXC, is headlining an art exhibition at Fondation Cartier in Paris.  You can see 10 photos of his paintings and sculptures at The Guardian.

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  1. Sometimes the reasons aren’t commercial, but a lot of his problems with KOR are that it’s dated and been replicated since then. And that sounds a lot like commercial reasons.

    Basically, the problem seems to be that US anime and manga fans are horrible, scummy people who take any excuse possible not to buy anything, ever. And if they lived in Japan circa 1945, Tezuka would have ended up a doctor. Even after WWII, when Japanese were living in the ruins of their country, they still managed to buy manga. I have no idea how you industry folks avoid being filled with bile and spite, because I know I can’t, and I don’t even have a financial stake in it.

    Reply

    1. >filled with bile and spite

      Heh…

      Sometimes, even seemingly commercial reasons are actually not. Let’s say that there’s an old classic manga by a living legend, and this person rightly has a bit of an ego, and is very protective of his work. A US publisher may want to bring his work over, even though they know they wouldn’t sell more than 3000 copies. They’ve worked out the math and are at least certain they would break even. They don’t even care about profits, they just want to release the book. So they make a realistic proposal to the Japanese publisher.

      Now, the Japanese publisher may completely sympathize with the US publisher, and may not care at all about the profits or lack thereof, but the property is considered a national treasure of Japan. If it sells poorly, it would not only embarrass the author, but reflect poorly upon the Japanese publisher for allowing it to happen at all. So they decline… a sales-related, yet non-commercial decision.

      Reply

  2. This stuff keeps reminding me of all the annoying bits of my Business Plan that I have yet to do.

    Fucking projected profits and all that shit.

    How’d you do your initial business plan, Simone?

    I’d love to skip all the bullshit and just get a big loan from somebody.

    Or maybe you’re a rich kid! AND YOU USED HAX!

    Reply

    1. Didn’t need one. Rich + hax.

      But if you’ll be approaching a local bank not familiar with manga… it’s okay to embellish a little bit. Talk about how manga is consistently in the New York Times top 10 list, how all the major publishers have their own manga line, how Twilight is going to sell 350,000 copies, all that. Sell yourself as someone in tune with the fandom.

      Reply

      1. Yeah, I’m already going to do all that shit, so it should work out just fine. It’s just a pain in the fucking ass to put together the Business Plan.

        Fuck I’m lazy. haha.

        Oh well, back to it. Gotta finish it quickfast since it looks like the gubment might stop giving me free snacks.

        Reply

  3. I was talking to a Japanese customer once about Beat Takeshi. He was sure that with Takeshi’s talents and popularity rates, he could be the next prime minister of Japan.

    Reply

    1. Considering most of the current elected officials in Japan are more like clowns than statesmen, I don’t see why not. Heck, which party does Shimura Ken belong to? I’d vote for him!

      Reply

  4. Awww…I thought they’d made a licensed manga based on the “Fanta” soft drink.

    Reply

    1. *drum roll* *crash cymbal*

      Reply